![]() ![]() Natalie Holt: It was just a process of developing it with the director and the music editors. ![]() What makes the score for Loki so distinct is that you’re blending electronic music with traditional orchestral sounds with Nordic or classical influences. Kate Herron liked the TVA theme so much that she was like, “Oh, it’d be really cool if we did a title sequence around this.” So I thought that it was pretty cool that they built the title sequence around the theme. They weren’t planning to actually have a title sequence. And then, Kate, that was actually Kate’s idea, to have a title sequence because she liked the music so much. Natalie Holt: So when I first when spoke to them, I had come up with that music for the suite. Did you write the music first and then it just makes sense for this to be the title for the show, or how did it come about? The last time we talked, you told me that not only is it the TVA theme but Kang’s theme as well, which makes a lot of sense for the entire idea behind Loki. Jonathan Majors in ‘Loki’ courtesy of Disney You’re also nominated for the Loki title track. There’s been so much great stuff and all the other things that I’m up against are really brilliant, so it feels like a huge honor. It’s an honor that people remember it a year on because it’s kind of early in the eligibility. Natalie Holt: It feels like quite a while ago now, so I’m just amazed that Loki stayed in people’s minds. What was the process of finding out that you were nominated for an Emmy? What were your feelings? Whereas we last covered more of the specifics of the Loki score – how she composed the music near the end of the season to wrap it all up – in this interview, we discuss her well-deserved awards recognition, how her score helped shape Loki as a whole, and the other projects she’s worked on since we last spoke, including the now-canceled Batgirl. Nevertheless, Natalie Holt’s talent and unique skill when crafting film and TV scores are undeniable as she prepares for the next stages in her career.įollowing our previous Loki conversation with Natalie Holt, we had the lovely opportunity to catch up with her in the wake of her Emmy nominations. She was also slated to write the music for Batgirl, a film that has since been unfortunately canceled by its studio as a tax write-off, among other reasons. ![]() In the meantime, she’s worked on other 2022 projects such as Obi-Wan Kenobi and The Princess. Not only has she been nominated twice at the 2022 Emmys for the first season of Loki, Outstanding Music Composition for a Series (Original Dramatic Score) and Outstanding Original Main Title Theme Music, but she also will return to compose Loki Season 2, which has already begun production. After the success of Loki, series composer Natalie Holt has been booked and busy. ![]()
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